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Black Sabbath Born Again Album Cover

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1983 studio anthology by Black Sabbath

Born Again
SabbathBorn.jpg
Studio album by

Black Sabbath
Released vii August 1983 (1983-08-07)
Recorded May 1983
Studio The Manor Studio, Shipton on Cherwell, Oxfordshire, England
Genre Heavy metal
Length 41:04
Label Vertigo
Producer Blackness Sabbath, Robin Black
Black Sabbath chronology
Mob Rules
(1981) 		Born Once more
(1983) 		Seventh Star
(1986)

Born Once more is the eleventh studio anthology by English heavy metal band Black Sabbath. Released in Baronial 1983, it is the only album the group recorded with lead singer Ian Gillan, best known for his work with Deep Royal. It was also the concluding Black Sabbath album for ix years to feature original bassist Geezer Butler and the last to feature original drummer Bill Ward, though Ward did tape a studio rail with the band fifteen years later on their 1998 alive album Reunion. The album has received mixed reviews from critics,[ane] just was a commercial success upon its 1983 release, reaching No. four in the UK charts.[2] The anthology too striking the tiptop xl in the U.s.a..[3] In July 2021, guitarist and founding fellow member Tony Iommi confirmed that the long lost original master tapes of the album had been finally located, and that he was considering remixing the album for a future re-release.[4]

Origins [edit]

Following the departure of singer Ronnie James Dio and drummer Vinny Appice in 1982, Sabbath's futurity was in doubt. The band switched management to Don Arden (Sharon Osbourne's father) and he suggested Ian Gillan as the new vocalist.[5] "That band was put together on paper," guitarist Tony Iommi revealed in the 1992 documentary Black Sabbath: 1978–1992. "Nosotros'd never rehearsed."

The band had considered vocalists such as Robert Establish and David Coverdale before settling on Gillan.[6] They even received an audition tape from a then-unknown Michael Bolton.[5] Iommi told Hitting Parader magazine in tardily 1983 that Gillan was the best candidate, saying "His shriek is legendary." Gillan was at outset reluctant, but his manager convinced him to meet with Iommi and Butler at The Bear, a pub in Oxford. After a night of heavy drinking,[5] Gillan officially committed to the project in February 1983.[vii]

The project was originally intended to be a new supergroup, and the members of the group had no intention of billing themselves as Blackness Sabbath.[five] At some point after recording had been completed, Arden insisted that they use the recognizable Sabbath name, and the members were overruled.[5] "We idea we were doing a kind of Gillan-Iommi-Butler-Ward album…" recalled bassist Geezer Butler. "That is the manner we approached the album. When we had finished the album, we took it to the record company and they said, 'Well, hither's the contract: information technology is going to go out as a Blackness Sabbath album."[8]

Born Over again featured the return of founding member Pecker Ward on drums, who was newly sober after leaving the band in 1980 to bargain with his alcoholism.[nine] Ward began drinking once again near the end of the sessions and returned to Los Angeles for treatment once the album was completed, and has remained sober ever since.[5] Ward has said that he enjoyed making the album, which remains his final studio album with the band.[10]

Recording [edit]

Sabbath began recording in May 1983 at Richard Branson'southward Manor Studio, in the Oxfordshire countryside.[xi] Producer Robin Black had worked with the ring in the mid-1970s, as engineer on Demolition.

In his autobiography, Iommi recounts Gillan informing him that, during sessions, he planned to live exterior the house in a marquee tent: "I thought he was joking, but when I arrived at the Manor I saw this marquee exterior and I thought, fucking hell, he's serious. Ian had put up this big, huge tent. It had a cooking area and a sleeping accommodation and whatsoever else." Gillan brought an immediacy to the songwriting that was uncommon for Sabbath: "Ian's lyrics were about sexual things or true facts, even most stuff that happened at The Estate there and then," Iommi recalls in his memoir. "They were practiced, merely quite a departure from Geezer's and Ronnie's lyrics." For example, Gillan returned from a local pub one evening, took a car belonging to drummer Ward, and commenced racing around a go-cart track on the Estate Studio property. He crashed the car, which burst into flames after he escaped uninjured. He wrote the anthology'south opening "Trashed" most the experience.[5]

"Disturbing the Priest" was written afterwards a rehearsal space – set up by Iommi in a small edifice near a local church building – received racket complaints from the resident priests.[5] "Nosotros wanted this outcome on 'Agonizing the Priest'," recalled the guitarist, "and Pecker got this big bucket of water and he got this anvil. It was really heavy, and he'd got it hanging on a piece of rope and lower it in to get this upshot: hit it and lower information technology in, and and then lift it out again. It was a corking effect, but it took hours to practice."[12]

"I did some of the all-time drum piece of work on that album…" Nib Ward recalled. "On 'Disturbing the Priest', in that location were some polyrhythms and some counterpoint things that I was doing, and I was using at to the lowest degree twenty unlike pieces of percussion towards the cease of that song… I was real proud of a lot of the work that I did. Some of information technology invariably got lost in the mix, but I know that information technology's printed on those tracks."[thirteen]

The band got along well, only it became apparent to all involved that Gillan's mode did non quite mesh with the Sabbath sound. In 1992, he told manager Martin Bakery, "I was the worst singer Black Sabbath ever had. It was totally, totally incompatible with whatsoever music they'd e'er done. I didn't wear leathers, I wasn't of that image...I recall the fans probably were in a total state of defoliation." In 1992, Iommi admitted to Guitar Earth, "Ian is a great vocalizer, merely he's from a completely different background, and it was difficult for him to come in and sing Sabbath material."

"I saw Ian get into the studio one day," Ward recalled, "and I was fortunate and honoured, actually, to be part of a session. I watched him lay tracks on 'Proceed Information technology Warm'… I felt like Ian was Ian in that vocal… I watched this incredible transformation of this man that really, I felt, delicately put lyrics together. It made sense. I thought he did an first-class task. And I actually dig that song too."[14]

When the band heard the final product, they were horrified at the muffled mix. In his autobiography, Iommi explains that Gillan inadvertently blew a couple of tweeters in the studio speakers by playing the backing tracks also loud and nobody noticed. "Nosotros just thought information technology was a bit of a funny sound, but it went very wrong somewhere between the mix and the mastering and the pressing of that anthology...the sound was really boring and muffly. I didn't know about it, because we were already out on tour in Europe. By the time we heard the album, it was out and in the charts, but the sound was awful."

For all his misgivings, Gillan remembers the period fondly, stating in the Black Sabbath: 1978–1992 documentary, "Just past God, we had a practiced year...And the songs, I think, were quite good."

Breakup [edit]

Following the bout supporting Born Again, this version of Black Sabbath fell apart, with Gillan and Ward departing. The tour was also a breaking point for Butler, who admits in the Black Sabbath: 1978–1992 documentary, "I just got totally disillusioned with the whole thing and I left some time in 1984 after the Born Again tour. I just had enough of it." In 2015 Butler clarified to Dave Everley of Classic Rock: "I left because my 2nd child was born and he was having problems, then I wanted to stay with him. I told Tony I couldn't concentrate on the band anymore. Just I never fell out with anybody." Butler says the looming Deep Majestic reunion played a large part in Gillan'southward decision to go out.[xv] Disagreements with direction also contributed to the band'due south dissolution.[fifteen] Bevan would briefly render to the Sabbath fold in 1986-87 to tape cymbal overdubs for the album The Eternal Idol.

Album cover [edit]

The encompass – depicting what Martin Popoff described equally a "garish red devil-baby" – is past Steve 'Krusher' Joule; a Kerrang! designer who also worked on Ozzy Osbourne'southward Speak of the Devil. It is based on a black-and-white photocopy of a photograph published in a 1968 magazine.[xvi] The same photograph was used for 12-inch versions of Depeche Mode's "New Life".

"I didn't have any participation in the album cover," recalled Bill Ward. "When I saw it, I hated it."[xiv]

Ian Gillan told the printing that he vomited when he first saw the moving-picture show. Even so, Tony Iommi approved the cover,[17] which has been considered one of the worst ever.[1] Ben Mitchell of Blender called the cover "awful".[18] The British magazine, Kerrang!, ranked the encompass in second place, behind simply the Scorpions' Lovedrive, on their listing of "ten Worst Anthology Sleeves in Metal/Hard Rock". The listing was based on votes from the magazine's readers.[nineteen] NME included the sleeve on their list of the "29 sickest album covers ever".[20] Sabbath'southward manager Don Arden was quite hostile towards the ring's ex-vocalist Ozzy Osbourne, who had recently married his manager Sharon,[21] and was addicted of telling Osbourne that his children resembled the Born Again embrace.[21]

Release and reception [edit]

Professional person ratings
Review scores
Source Rating
AllMusic [1]
Blender [xviii]
The Rolling Stone Album Guide [22]
Sputnikmusic 2/5[23]
Metal Forces 8/10[24]
Martin Popoff 10/10[25]

Born Again was released in Baronial 1983[1] and was a commercial success. It was the highest charting Black Sabbath anthology in the United Kingdom since Sabbath Encarmine Sabbath (1973) and became an American Peak 40 hit.[26] Despite this, information technology became the first Black Sabbath album to not accept whatsoever RIAA certification in the US.

The album received mixed reviews upon its release.[27] AllMusic'due south Eduardo Rivadavia wrote that the album has "gone down equally 1 of heavy metal's all-time greatest disappointments" and described "Nix the Hero", "Hot Line", and "Keep It Warm" as "embarrassing".[one] Blender contributor Ben Mitchell gave the album i out of five stars and claimed that the music on Born Once again was worse than its encompass.[xviii] Martin Charles Strong, the author of The Essential Rock Discography, wrote that it was "an exercise in heavy-metal cliché".[28] However, Popmatters contributor Adrien Begrand has noted the anthology as "overlooked".[27] The British magazine Metal Forces defined it "a very good album" even if "Gillan may non be the perfect frontman for the Sabs".[24]

Despite the overall negative reception with critics, the album remains a fan favorite. Author Martin Popoff has written that "if any album in the history of Black Sabbath is getting a new prepare of horns upwards from metalheads here deep into the new century, it's Born Again."[7] Industrial metallic band Godflesh and death metal band Cannibal Corpse both have covered "Zero the Hero", the former appears on the Masters Of Misery - Black Sabbath: The Earache Tribute album while the latter is featured on the Hammer Smashed Face up EP. Cannbibal Corpse's former singer, Chris Barnes, has called Born Once more his favourite Blackness Sabbath album.[29] "Zero the Hero" has also been cited every bit the inspiration for the Guns N' Roses hit "Paradise City",[xxx] and in his autobiography Iommi likewise suggests the Beastie Boys may take borrowed the riff from "Hot Line" for their hitting "(Y'all Gotta) Fight For Your Correct (To Party!)". Metallica drummer Lars Ulrich has called Born Again "one of the best Black Sabbath albums".[31] Bill Stevenson, former drummer of Black Flag, stated the band was listening to the album around the time of My War, defining songs like "Trashed" and "Disturbing the Priest" as "ideal".[32]

In 1984, Ozzy Osbourne stated that the album was the "best thing I've heard from Sabbath since the original group bankrupt up".[33] Butler has pointed to "Nothing the Hero" and "Disturbing the Priest" as his favorites on the album.[15] In 1992 Iommi confessed to Guitar World, "To be honest, I didn't like some of the songs on that album, and the product was awful. We never had fourth dimension to examination the pressings subsequently information technology was recorded, and something happened to it by the time it got released."

A re-mastered 'Deluxe Expanded Edition' of Built-in Once again was released in May 2011 past Sanctuary Records. It included several alive tracks from the 1983 Reading Festival originally featured on BBC Radio 1'due south Friday Stone Evidence. Though the release was remastered, it was not remixed due to the inability to locate the original master tapes, equally well equally Sanctuary not wanting delay the release in an effort to locate said tapes for a remix.[34]

In 2021, Tony Iommi claimed that the original main tapes, long thought lost, had been plant and that he was considering remixing them for an eventual release.[35] [36]

Built-in Again Tour and Stonehenge props [edit]

Co-ordinate to Iommi'southward autobiography, Ward began drinking again near the end of the Born Again recording sessions and returned to Los Angeles for treatment. The band recruited Bev Bevan, who had played with The Move and ELO,[37] for the upcoming tour in support of the new anthology. Gillan had all the lyrics to the Sabbath songs written out and plastered all over the stage, explaining to Martin Baker in 1992, "I couldn't become into my brain whatever of these lyrics...I cannot soak in these words. In that location'due south no storyline. I can't relate to what they hateful." Gillan attempted to overcome the problem past having a cue book with plastic pages on stage, which he would turn with his human foot during the show. Even so, Gillan did not anticipate the "six buckets" of dry out ice that engulfed the stage, making it impossible for the singer to see the lyric sheets. "Ian wasn't very sure-footed either," Iommi writes in his memoir. "He once fell over my pedal board. He was waving at the people, stepped back and, bang!, he went arse over head big time." Gillan as well told Birch that information technology was Don Arden's thought to open up the bear witness with a crying baby blaring over the speakers and a dwarf made to expect exactly like the demonic baby depicted on the Built-in Again album embrace miming to the screaming. "Nosotros noticed a dwarf walking around the twenty-four hours before the opening show...And nosotros're proverb to Don, 'We think this is in the worst possible taste, this dwarf, yous know?' And Don's going, 'Nah, the kids will honey it, it'll be peachy.'"

The bout is most infamous, however, for the gigantic Stonehenge props the band used. Iommi recalls in his autobiography that it was Butler's idea but the designers took his measurements the incorrect way and thought it was meant to be life-size. Months later, while rehearsing for the bout at the Birmingham NEC, the phase gear up arrived. "We were in shock," writes Iommi. "This stuff was coming in and in and in. It had all these huge columns in the back that were as broad as your average bedroom, the columns in front were almost 13 feet high, and we had all the monitors and the side fills as well as all this rock. It was fabricated of fiberglass and wood, and bloody heavy." The set would be lampooned in Rob Reiner'due south 1984 rock music mockumentary This Is Spinal Tap, with the band having the opposite trouble of having to use miniature Stonehenge stage props. Butler has said that he told the associate scriptwriter of the film the story of the band's performances with their "Stonehenge" stage props.[38] In an interview for the documentary Black Sabbath: 1978–1992, Gillan claims Don Arden had the dwarf walk across the summit of the Stonehenge props at the offset of the testify and, as the record of the screaming babe faded away, fall back "from about 30-five feet in the air on this big pile of mattresses. And and so, 'Dong!' The bells starting time and the monks come out, the whole thing. Pure Spinal Tap." The band toured Europe beginning, playing the Reading Festival (a performance that is included on the 2011 palatial edition of Built-in Again) and also playing in a bullring in Barcelona in September. Sabbath performed Gillan's hit with Deep Royal, "Smoke on the Water", on the tour, with Iommi explaining in his memoir, "information technology seemed similar a bum deal for him non to do any of his stuff while he was doing all of ours. I don't know if nosotros played information technology properly merely the audience loved it. The critics moaned; it was something out of the bag and they didn't want to know then." In October, the ring took the Stonehenge set up to America merely could only utilise a portion of information technology at most gigs considering the columns were likewise high. The gear up was eventually abandoned. A music video for "Zero the Hero" was as well released, featuring performance footage of the ring onstage interspersed with scenes involving several grotesque characters performing experiments on a witless young homo in a haunted business firm filled with rats, roosters and a roaming equus caballus.

Track listing [edit]

Standard Edition [edit]

All songs credited to Tony Iommi, Geezer Butler, Bill Ward, and Ian Gillan, except where noted.

Side A
No. Title Length
one. "Trashed" 4:16
2. "Stonehenge" (Instrumental) i:58
3. "Disturbing the Priest" 5:49
four. "The Dark" (Instrumental) 0:45
5. "Zero the Hero" 7:35
Side B
No. Title Writer(southward) Length
6. "Digital Bitch" 3:39
7. "Born Again" vi:34
eight. "Hot Line" Iommi, Butler, Gillan 4:52
9. "Keep It Warm" Iommi, Butler, Gillan five:36

2011 Deluxe Edition Disc 2 [edit]

Tracks 3-eleven recorded live at the Reading Festival on Saturday, Baronial 27, 1983 and first aired on Friday Stone Show via BBC Radio i.[34]

Bonus Tracks
No. Title Length
1. "The Fallen" (previously unreleased anthology session outtake) 4:thirty
2. "Stonehenge" (extended version) 4:47
Alive at the Reading Festival August 27, 1983
No. Title Writer(s) Length
3. "Hot Line" 4:55
4. "War Pigs" Butler, Iommi, Ozzy Osbourne, Ward seven:25
5. "Black Sabbath" Butler, Iommi, Osbourne, Ward 7:11
half-dozen. "The Dark" i:05
7. "Zero the Hero" half dozen:55
eight. "Digital Bitch" 3:34
9. "Iron Human being" Butler, Iommi, Ozzy Osbourne, Ward 7:41
x. "Smoke on the H2o" Ritchie Blackmore, Gillan, Roger Glover, Jon Lord, Ian Paice 4:56
11. "Paranoid (Features a small portion of the intro to Heaven & Hell with Gillan doing his signature harmonics)" Butler, Iommi, Ozzy Osbourne, Ward 4:eighteen

Personnel [edit]

Black Sabbath

  • Ian Gillan – vocals
  • Tony Iommi – guitars, guitar effects, flute
  • Geezer Butler – bass, bass effects
  • Bill Ward – drums, percussion

Additional musicians

  • Geoff Nicholls – keyboards
  • Bev Bevan – drums (on 2011 Deluxe Edition – Disc 2, tracks 3–11)
Credits[39]
  • Steve Barrett – art banana
  • Blackness Sabbath – producer
  • Robin Blackness – producer, engineer
  • Stephen Chase – engineer, assistant engineer
  • Paul Clark – co-ordination
  • Hugh Gilmour – liner notes, design, reissue design, original sleeve design
  • Ross Halfin – photography
  • Steve Joule – artwork, embrace design
  • Peter Restey – equipment technician
  • Ray Staff – remastering
  • Chris Walter – photography

Release history [edit]

Region Engagement Characterization
United Kingdom August 1983 Vertigo Records
United States 4 October 1983 Warner Bros. Records
Canada 1983 Warner Bros. Records
United Kingdom 1996 Castle Communications
United kingdom 2004 Sanctuary Records

Charts [edit]

See likewise [edit]

  • Born Again Tour 1983

References [edit]

  1. ^ a b c d e Rivadavia, Eduardo. "Born Again > Overview". Allmusic . Retrieved 1 November 2009.
  2. ^ "Gillan the Hero". Archived from the original on 18 October 2009. Retrieved one November 2009.
  3. ^ "Billboard Top 200". Billboard . Retrieved 1 November 2009. [ permanent expressionless link ]
  4. ^ Blabbermouth (26 June 2021). "TONY IOMMI Says Original Tapes For BLACK SABBATH's 'Born Again' Album Have Been Plant: 'I'grand Thinking Of Remixing' Information technology". BLABBERMOUTH.NET . Retrieved xiv Nov 2021.
  5. ^ a b c d e f g h Iommi, Tony (2011). Atomic number 26 Human being: My Journey Through Heaven and Hell with Black Sabbath. Da Capo Press. ISBN978-0306819551.
  6. ^ Popoff, Martin (2006). Blackness Sabbath: Doom Let Loose: An Illustrated History. ECW press. p. 201. ISBN1-55022-731-9.
  7. ^ a b Popoff, Martin (2006). Black Sabbath: Doom Allow Loose: An Illustrated History. ECW press. p. 198. ISBNone-55022-731-9.
  8. ^ Swedish Idiot box interview, broadcast April 1994, transcribed by Ola Malmström in Sabbath fanzine Southern Cross #xiv, p19, Oct 1994
  9. ^ Popoff, Martin (2006). Black Sabbath: Doom Let Loose: An Illustrated History. ECW press. p. 197. ISBN1-55022-731-nine.
  10. ^ Wright, Michael. "Bill Ward Tells Sabbath Tales and Talks Reunion". Archived from the original on 29 June 2011. Retrieved 4 September 2010.
  11. ^ Thompson, Dave (2004). Smoke on the H2o: The Deep Purple Story. ECW Printing. p. 234. ISBNone-55022-618-5.
  12. ^ Scott, Peter (May 1998). "Tony Iommi Interview". Southern Cantankerous (Sabbath fanzine) #21. p. 46.
  13. ^ Schroer, Ron (October 1996). "Bill Ward and the Hand of Doom – Role III: Agonizing the Peace". Southern Cross (Sabbath fanzine) #xviii. p. 25.
  14. ^ a b Schroer, Ron (October 1996). "Bill Ward and the Hand of Doom – Part 3: Disturbing the Peace". Southern Cross (Sabbath fanzine) #eighteen. p. 24.
  15. ^ a b c "Geezer Butler Discusses Veganism, Religion, Politics, Surveillance, and Life Lessons". bryanreesman.com. 27 March 2014. Retrieved i September 2019.
  16. ^ Siegler, Joe. "Black Sabbath Online: Born Once again". Black Sabbath Online. Archived from the original on 14 Jan 2012. Retrieved 7 August 2017. ...the first paradigm of a baby that I found was from the front cover of a 1968 mag called Mind Live [...] nosotros bashed the whole thing out in a night – Steve Joule interview
  17. ^ Popoff, Martin (2006). Blackness Sabbath: Doom Permit Loose: An Illustrated History. ECW press. p. 206. ISBN1-55022-731-ix.
  18. ^ a b c Mitchell, Ben. "Born Again – Blender". Blender. Archived from the original on 29 Baronial 2010. Retrieved iii September 2010.
  19. ^ "BLABBERMOUTH.Internet – 10 Worst Album Sleeves in Metallic/Hard Stone". Blabbermouth.net. Archived from the original on 27 Baronial 2004. Retrieved iv September 2010.
  20. ^ "Pictures of NSFW - the 29 sickest album covers ever - Photos - NME.COM". NME . Retrieved 4 September 2010.
  21. ^ a b Osbourne, Ozzy (2011). I Am Ozzy. M Primal Publishing. ISBN978-0446569903.
  22. ^ "Black Sabbath: Album Guide". Rolling Stone. Archived from the original on 27 April 2012. Retrieved 5 June 2012.
  23. ^ neekafat. "Born Again". Sputnikmusic.com . Retrieved 16 October 2019.
  24. ^ a b Barnell, Graham (1983). "Blackness Sabbath – Built-in Over again". Metal Forces (2). Retrieved 1 July 2012.
  25. ^ Popoff, Martin (ane November 2005). The Collector'due south Guide to Heavy Metal: Book 2: The Eighties. Burlington, Ontario, Canada: Collector'south Guide Publishing. ISBN978-1-894959-31-v.
  26. ^ Thompson, Dave (2004). Fume on the Water: The Deep Majestic Story. ECW Press. p. 237. ISBN1-55022-618-5.
  27. ^ a b Begrand, Adrien. "Alice Cooper: Portrait of the Artist equally a Burnt-Out Former Human < PopMatters". PopMatters . Retrieved 3 September 2010.
  28. ^ Strong, Martin Charles (2006). The Essential Rock Discography. Canongate Books Ltd. p. 97. ISBN978-one-84195-827-9.
  29. ^ Mudrian, Albert, ed. (2009). Precious Metallic: Decibel Presents the Stories Behind 25 Extreme Metallic Masterpieces . Da Capo Press. p. 158. ISBN978-0-306-81806-six. Black Sabbath Built-in Again.
  30. ^ Popoff, Martin (2006). Black Sabbath: Doom Let Loose: An Illustrated History. ECW press. p. 210. ISBN1-55022-731-nine.
  31. ^ "BLABBERMOUTH.Net – METALLICA's LARS ULRICH: 'Metallic Is Like Herpes — It Never Goes Away'". Blabbermouth.net. Archived from the original on viii September 2012. Retrieved 4 September 2010.
  32. ^ Chroma, Steven; Petros, George (2001). American Hardcore: A Tribal History. Feral House. p. 73. ISBN9780922915712.
  33. ^ Hogan, Richard."Is Sabbath turning Purple?" (PDF). Archived from the original (PDF) on 18 December 2005. Retrieved 2012-07-11 . . Circus Magazine 02-29-84
  34. ^ a b Blabbermouth (12 April 2011). "BLACK SABBATH'southward 'Built-in Over again' Deluxe-Expanded-Edition Reissue Was Remastered, Not Remixed". Blabbermouth.cyberspace . Retrieved 9 August 2020.
  35. ^ "TONY IOMMI Says Original Tapes For Blackness SABBATH'south 'Born Again' Album Have Been Found: 'I'm Thinking Of Remixing' Information technology". Blabbermouth.cyberspace. 26 June 2021. Retrieved 17 December 2021.
  36. ^ "Blackness Sabbath: Tony Iommi Considera Remixar O Álbum Born Again E Lançar Box Com Discos Da Era Tony Martin". Rockbizz.com.br. 26 June 2021. Retrieved 17 December 2021.
  37. ^ Bevan, who was still a member of ELO in 1983, had a long-time relationship with Don Arden, as all of ELO's albums from 1975's Face the Music forward were recorded for Arden's Jet Records label.
  38. ^ Popoff, Martin (2006). Black Sabbath: Doom Permit Loose: An Illustrated History. ECW printing. pp. 215–216. ISBNi-55022-731-9.
  39. ^ "Built-in Over again > Credits". Allmusic . Retrieved iv September 2010.
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  45. ^ "Chart History". Billboard. Retrieved 25 October 2021.

External links [edit]

  • Born Again at Discogs (list of releases)

brandonhationlove.blogspot.com

Source: https://en.wikipedia.org/wiki/Born_Again_%28Black_Sabbath_album%29

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